Phantom Pro (2022–2025) explores the image as a technological instrument within systems of warfare, reconstruction, and memory. Focusing on the aftermath of the 2016–2017 battle against ISIS in Mosul, the project uses consumer drone photography and digital mapping to examine how images document, measure, and transform contested landscapes. Through the concept of Ṭabaqāt (layers), it reveals how histories of conflict, reconstruction, and technological intervention remain embedded in the present.
More soon.